My work investigates whether authentic expression is possible beyond the frameworks we inherit: the invisible conventions that shape how we see, feel, and communicate. This question drives both my abstract paintings and my collage-based works, connecting them as two approaches to the same inquiry.

In painting, I build layered, textured surfaces where gestural marks, structural interventions, and colour accumulate into compositions that develop their own internal logic. The process is intuitive but not arbitrary. Each work begins with a single impulse, a colour, a word, a tension, and unfolds through a dialogue between control and surrender. What emerges are thresholds: recurring transitional forms that appear across my canvases, sometimes prominent, sometimes buried beneath layers, marking the boundary between what is given and what is discovered.

In collage, I work with fragments: images severed from their original context and reassembled into new constellations of meaning. Where painting allows me to dissolve existing structures, collage lets me reconfigure them. Both practices share a central concern: the tension between freedom and the structures that define it.

Born in Berlin and raised in the rural stillness of northern Germany, I carry both energies in my work. I am self-taught, which is not a limitation but a deliberate choice to develop a visual language unconditioned by institutional convention. I live and work in Hamburg.